You can try it yourself right now. Just look fixedly at
something across the room for a minute. Then, without moving your eyes, let
your attention go all the way out to the right as far as you can. It won’t be
very detailed but you can see what is there as shapes, energy, light, dark.
Just don’t look directly at it.
Next attend to the left of your field of vision, again without
moving your eyes. See what is there.
Still keeping your eyes fixed ahead, let your attention
go out to both sides. Notice the differences in the fields and the interplay.
Finally, start moving (slowly) without moving your eyes. The
peripheral fields will change as you move through space. Note the changing—not what changes but the change itself.
That’s the point of the exercise: the noticing of the attention,
the awareness, a kind of spaciousness in your mind. That’s the state you
are in when you take your best pictures, a state in which you see what is there
without having to conceptualize or categorize it.
And then you take
the picture. That’s the secret, for photographers, psychiatrists, and everyone
else.
Exercise and investigate your creativity with Sean:
Creativity and the Photographer
with Sean Kernan
July 29 - August 3, 2012
with Sean Kernan
July 29 - August 3, 2012


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